VICTORIA CAMPBELL


BLESS THIS MESS 



Mark
writing

The Surplus in Being

sophie friedman-pappas, alyssa davis gallery, octagon, aqnb, joe riley, audrey snyder, michael heizer, fresh kills, land art


Rules of the Game

art market, cultural economics, magnus resch, quantifying success and reputation in art (science magazine, 2018), spike art magazine #68


Point Break

1972 olympic games, 2014, accelerationism, rineke djikstra, marian goodman gallery, spike art magazine #67


Intelligent Designs: Art in the Age of Synthetic Reproduction

alexandra ginsberg, a parede, bioethics, fannie sosa, gregg bordowitz, grow magazine, mary kelly, oron catts, sean raspet, suzanne anker, ionat zurr


This is Why We Can’t Have Nice Things: Surviving the Last Brucennial

2014, BHQF, exhibition history, post-post-feminism, Christen Clifford, Lucy Liu, Danielle Ho, spike art magazine #66, vito schnabel


Alien vs. Pretaporter: On Women’s History Museum

aesthetics, alienation, amy ireland, fashion, novelty, post-covide, spike art magazine #64, xenopunk


The Moon in Review

apollo mission, exhibition review, land art, metropolitan museum of art, spike art magazine #61


Square Root

devin kenny, exhibition review, MoMA PS1, spike art magazine #61


Art After Work

2010’s, art activism, art history with labor, drake, platform economy, personal essay, spike art magazine #62


The Safeword is Post-Studio Practice

leigh ledare, micaela carolan,  reba maybury, post-internet, spike art magazine #60